candiikismet:
“awed-frog:
“This is both amazing and profoundly irritating - the exact writing equivalent of that thing artists do - you know, how they’ll mess up anything that’s on expensive paper and planned in every single detail but get them...

candiikismet:

awed-frog:

This is both amazing and profoundly irritating - the exact writing equivalent of that thing artists do - you know, how they’ll mess up anything that’s on expensive paper and planned in every single detail but get them doodling during a boring lesson and suddenly they’re Michel-bloody-angelo.

This is beautiful

brunhiddensmusings:

protectblkwomen:

badgyal-k:

meanmisscharles:

lessdanthree:

what drugs were they on when they made this

Cab Calloway rotascoped!

Whoever thought of this was drinking absinthe

Thanks, Now I have nightmares

this was long before cartoons were ever thought of as ‘for kids’, the target audience of this one was roughly 20-40

betty boop cartoons featuring cab calloway singing, yes, but slang has changed so much you dont realize he was singing about opium, sugar daddies, death, weed, sex, booze, and gambling back when gambling was nearly as tabboo as sex and drugs. ‘minnie the moocher’ where cab calloway is a dancing walrus is specifically about someone who does literally everything on that list but die

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most of the animation studios had their ‘thing’ to make their animation stand out, disney had fluid motion linked with quality music, warner brothers had top notch dialogue with carefully crafted facial expressions, MGM had comedic timing down to the individual frame that no live action comedian could dream of achieving, terrytoons had the budget of a ham sandwitch and a fistfull of nickels

fleischer studios however had authentic jazz and heavy toned subject matter, often crossing the line of what we think of as ‘cartoon violence’ into realistic

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